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Passive Voice Detector — Find Weak Sentences in Body Copy

Paste a draft to flag likely passive sentences and get a passive ratio, so you can decide which ones read better with the actor in front.

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Passive-Voice Detector

Total sentences

3

Passive (heuristic)

2

Passive ratio

66.7%

Flagged sentences

#1The report was written by the marketing team.

#2The customer was helped by an agent.

This is a heuristic — it catches most passive constructions ("the report was written") but flags some active sentences too. Aim for <10% passive in body copy. Use active voice for clarity.

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About this tool

Passive voice is a choice, not a defect

In the passive, the thing being acted on becomes the subject and the actor moves to the back behind "by" — or disappears altogether.

Active: The marketing team wrote the report.
Passive: The report was written by the marketing team.
Passive, actor gone: The report was written.

That third line is where the real problem lives. English needs the passive and uses it constantly; what causes damage is not the construction but the vanishing actor. "Mistakes were made" is the famous case precisely because the grammar is unremarkable and the missing subject is doing all the work.

What it costs when it is the wrong choice

  • Extra words. A form of "to be" plus a participle, where one verb would have done.
  • A delayed verb. The reader reaches "was" or "were" before reaching the action, so the sentence takes longer to land.
  • An optional actor. Once the actor is grammatically optional, it starts going missing — sometimes carelessly, sometimes because nobody wanted to name it.

When the passive is right

These are genuine uses, not concessions:

  • The actor is unknown. "The package was damaged in transit" — you do not know who did it, and inventing an actor would be worse than omitting one.
  • The actor is irrelevant. "The samples were stored at four degrees" — which technician put them in the fridge does not matter to anyone reading a method.
  • The affected thing is the topic. "Shakespeare was born in 1564" is about Shakespeare, so Shakespeare goes first. Rewriting it actively puts his mother in a sentence that is not about her.
  • Convention expects it. Scientific methods sections and much legal drafting are written this way, and an actively-voiced lab report reads as though it does not know the genre.

Rewriting any of those to the active voice makes them worse. That is why the output is a list to read, not a list to fix.

How the detection works, and what it misses

It looks for a form of to be — am, is, are, was, were, be, been, being — followed immediately by a word of more than three letters ending in ed, en, wn, gn, rn, de, ne or ze. Each sentence is flagged at most once, and the panel reports the count and the ratio alongside the flagged sentences themselves.

The blind spot is specific and worth knowing: irregular participles that end some other way are missed entirely. "The deadline was missed" is caught; "the invoice was sent", "the file was lost", "the fence was built", "the shares were sold", "the error was found", "the meeting was held" and "the story was told" are all passive and all invisible to it. So the reported ratio is a floor, not a total. Common irregulars that are caught include written, known, broken, taken, given, shown, made, done and born, since those happen to end in the right pairs.

In the other direction it excludes a list of words that end like participles but are adjectives or nouns — open, fine, wide, online, modern, machine and similar — because without that list ordinary active sentences such as "the form is open" came back flagged. The le ending was dropped from the test altogether, since English has effectively no past participles ending in a bare -le and it only ever matched words like able, simple, possible and reliable.

Using the output

Take each flagged sentence and ask one question: who did this?

  • If the actor is missing and you know it, try putting it in front and see whether the sentence improves.
  • If the actor is present but trailing, decide whether it belongs at the front here. Sometimes the current order is right because the object is the topic.
  • If the passive is deliberate, leave it, and note that you decided.

The on-screen guidance suggests keeping body copy under roughly ten percent passive. Emphasis on roughly. A draft at five percent and a draft at twelve can both read well, and a draft forced to five percent by mechanically inverting every sentence usually reads worse than the one it replaced. Never rewrite to move a number.

For the other reading on the same draft, the readability score measures sentence length and word length instead — a different problem, and one this tool cannot see.

How to use the Passive-Voice Detector

Takes about a minute. No signup, no download, your data stays in your browser.

  1. 1
    Open the tool. Scroll up to the Passive-Voice Detector above — it loads instantly in your browser, no install needed.
  2. 2
    Enter your values. The fields come pre-filled with realistic defaults so you can see how it works — replace them with your own numbers.
  3. 3
    Read the result. The output updates instantly. Copy or share it — nothing is uploaded to a server, everything stays on your device.

Frequently asked questions

Common questions about the Passive-Voice Detector.

Which passive sentences does it fail to catch?

Any whose participle ends outside the pattern it tests, which means most irregular verbs. The invoice was sent, the file was lost, the fence was built, the shares were sold, the error was found, the meeting was held and the story was told are all passive and all missed. Treat the ratio as a floor rather than a total.

Why is an active sentence sometimes flagged?

Because a word after a be-verb can end like a participle without being one. The form is open and the price is fine both match the shape of a passive construction. A list of the frequent offenders — open, fine, wide, online, modern, machine and others — is excluded, and the le ending was removed entirely since it matched only adjectives like able and possible, but unusual cases still get through.

Is passive voice bad for SEO?

No, there is no ranking factor for it. The cost is with readers rather than search engines: a sentence whose actor has gone missing is harder to act on, and a page full of them feels evasive. Fix passives that genuinely obscure who did what, and leave the ones that do not.

What ratio should I aim for?

Roughly under ten percent for ordinary body copy, and roughly is the operative word. Five percent and twelve percent can both read perfectly well depending on the material, and a draft driven down to five by inverting every sentence it could usually reads worse than the original. The number is a steer, not a target to hit.

Is there ever a good reason to keep the passive?

Several. Use it when the actor is unknown, when the actor is irrelevant to the point, when the affected thing is what the sentence is actually about, or when the genre expects it — methods sections and legal drafting being the clear cases. Shakespeare was born in 1564 is about Shakespeare, and the active version is about his mother.

Does my text leave the browser?

No. The whole analysis runs locally in the page, so the draft is never uploaded, stored or sent to a server. That matters here more than on most tools, since the text people run through a passive check is usually unpublished.

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